House of Folk is more than just murals; it's a journey of self-discovery and legacy.

Growing up, my grandmother was a profound influence — she turned ordinary spaces into extraordinary experiences. That spirit of creativity and storytelling stayed with me. I painted my first mural at eighteen, a project that quickly grew beyond what I imagined. But even with those opportunities ahead, I felt a deep pull to get out of my hometown and experience more of the world. So I put it all on hold and hit the road.

In my travels, I lived out of my car, working in places like Texas, where I taught outdoor education, California, where I was a camp counselor in the mountains, Colorado, where I worked with AmeriCorps shaping trails, and many other adventures. Each place taught me that life is nuanced and way more complexed then I was raised to believe, and it challenged me to reconcile who I was taught to be and who I truly am.

Returning home, I embraced the process of unraveling and rediscovering myself. Art became the bridge, allowing me to share not just my own stories but also those of others, celebrating the richness of our experiences.

House of Folk is about embracing complexity, sharing culture, and painting with intention.